We’ve all seen it. Start pulling some books off a shelf, and chances are you will see a prologue. However, a prologue can be a red flag. If you haven’t heard back from your editor/agent/publisher, rethink your prologue. It can be the worst offender of all. #RMFW2017 @RMFWriters @crystalpubs2014
Sounds easy enough, doesn’t it? All you need is a computer, pen and paper, sit down, and write. This simple process is not as easy as it looks. #crystalpubs2014 Continue reading “Help! I Want to Write a Book”
RMFW held its Colorado Gold Conference this weekend in Denver, CO. #RMFW2017 http://www.RMFW.org @RMFWriters
I have been encouraging new writers to join an organization. It is the number one way to improve your writing, get the latest information on the publishing industry, get help for your stuck points, practice pitches, and talk to agents, editors, and publishers. This conference targeted new writers. Tons and tons of workshops and panels, tons and tons of experts willing to give you some individual time, and lots of master classes for the already accomplished author.
AND we got to meet Diana Gabaldon, author of the OUTLANDER series, which premiered on STARZ last night.
Throughout the week, I will be posting sage advice I gleaned from the conference and pass that along to you in segments.
You can join for as little as $45. Check out the online classes, free help sessions, and monthly events–all designed to make you a better writer.
You are your own worst enemy when it comes to editing. There’s a psychological term for this that escapes me right now, but it boils down to mind games. Your brain will look at errors and automatically correct them or fill in the blanks.
Can You Read This? by Chris McCarthy (Study@ecenglish.com)
I cnduo’t bvleiee taht I culod aulaclty uesdtannrd waht I was rdnaieg. Unisg the icndeblire pweor of the hmuan mnid, aocdcrnig to rseecrah at Cmabrigde Uinervtisy, it dseno’t mttaer in waht oderr the lterets in a wrod are, the olny irpoamtnt tihng is taht the frsit and lsat ltteer be in the rhgit pclae. The rset can be a taotl mses and you can sitll raed it whoutit a pboerlm. Tihs is bucseae the huamn mnid deos not raed ervey ltteer by istlef, but the wrod as a wlohe. Aaznmig, huh? Yaeh and I awlyas tghhuot slelinpg was ipmorantt! See if yuor fdreins can raed tihs too.
Whether you are self-publishing or signing with a publisher, you want the best editor you can get. Constructive criticism is hard to take these days. It’s not intended to beat you down. An editor is the invisible person behind you who honestly has your best interest at heart. An editor can shape your manuscript from the ordinary to the best product possible. Yes, it can be frustrating and take a while, month and years.
But, there are options there, too. If you don’t like your editor for some reason, ask for another. You can always go out on your own, but remember good editing is expensive. Yes, your first-grade teacher or next door neighbor, friend, or spouse can always look at it, but is that in your own best interest?
How to I start?
Typically, you pitch an idea or send a query letter before you write an entire manuscript that may or may not be accepted. Don’t pitch to a company that doesn’t accept unsolicited manuscripts. Don’t pitch a romance to a company that specializes in mystery or a children’s book to a company that specializes in adult literature. Do your homework. Check websites or get access to the Writer’s Market.
Do I send everything?
Never write or submit more than an idea or several chapters It’s unrealistic to expect one or more people to drop a current project and read your 50,000 words overnight.
What about a contract?
Never work without a contract. Contracts vary from company to company. Again, unless you are Stephen King, Lady Gaga, or a Real Housewife, don’t expect millions in signing bonuses. Traditional publishing houses are not going to extend any offer until you have proven yourself profitable. Small publishing houses don’t make those kinds of offers.
How long before I publish my book?
Just because you have finished writing, or assume you have a final product, that is not true. You are now in the hands of several editors and the editing process. And unless you are Ernest Hemingway, you need those editors. (See my blog about the publishing process and what does an editor do.)
You want the best for your “baby.” There are short cuts, but that doesn’t guarantee your baby will be healthy and thrive.
You might start out with a plan, but after you write a while, your writing can take on a life of its own and lead you down another path. Don’t despair. “[T]hat’s the great thing about fiction. We use it for entertainment, and we also use it to explain and understand our lives. We only make sense of what has happened to us when we can tell it as a story. I’ve used my fiction to deal with 9/11, the War on Terror, aging, death, wealth, poverty and a host of other issues. I just happened to include the undead and werewolves and spies while I did it.
Five books in, this is the one lesson I can say I’ve learned, the one thing I can tell any aspiring writer: Write what you want. Even if it includes lizard people or Atlantis. If people don’t like what you like, write it again, and make it better until they do. But never be ashamed of your enthusiasms.”
Read more of “I dreamed of being Hemingway and ended up a pulp fiction writer” at http://nypost.com/2016/08/14/i-dreamed-of-being-hemingway%e2%80%8b%e2%80%8b-but-ended-up-a-pulp-fiction-writer/